SERIES/QUIET DAYS
Quiet Days is a series created in 2026 of atmospheric paintings shaped by softness, vulnerability and partial visibility. Beneath the quiet surfaces, hidden gestures and fragments of form emerge, like memories trying to surface; fleeting, incomplete and difficult to fully hold onto. With a grid of 2cm squares, some forms feel almost floral, others architectural, while others seem to dissolve into light.
The paintings create intimate and psychological spaces where perception remains unstable and constantly shifting. Rather than presenting fixed images, they evoke the experience of remembering fragmentarily; a presence, an atmosphere, or a trace that never fully reveals itself.
SERIES/RESONANCE
Resonance is the latest series, create in 2026. Inspired by the lingering echoes of memory, emotion and experience through colour, rhythm and structure.
Bright, shifting palettes create luminous surfaces where gestures and fragments gradually emerge, balancing order with intuition. Rather than presenting fixed narratives, the paintings invite quiet reflection, allowing meaning to unfold through perception and time.
The title Resonance refers to the way experiences continue to reverberate long after they have passed. Like memory itself, the paintings remain open, inviting each viewer to discover their own associations and moments of recognition.
SERIES/FIRST LIGHT
First Light (2021 – ongoing) explores light, openness and the quiet transformation of colour through restrained geometric compositions. Built from subtle tonal shifts and layered surfaces, the paintings invite slow looking, allowing delicate variations in white, cream and pale hues to gradually emerge.
The series reflects the fleeting quality of early daylight, moments when light softens form and perception becomes more attentive. Through minimal means, First Light creates contemplative spaces where colour, rhythm and atmosphere unfold gently over time, revealing the richness found in subtle change.
SERIES/HARVEST
Harvest (2022 – ongoing) draws on the colours of late summer and autumn—deep reds, warm browns, muted purples, olive greens and sienna tones. Inspired by cultivated landscapes, harvested fields and the changing seasons, the series reflects on cycles of growth, gathering and return. Through subtle shifts of colour and layered geometric structures, the paintings evoke the quiet rhythms of the natural world.
Rather than depicting landscape directly, Harvest captures its atmosphere and memory. Repetition, light and restrained variations in tone encourage a slower way of looking, recalling the experience of walking across sun-warmed earth after the harvest. The works invite contemplation, returning to the source of place, time and the enduring connection between nature and perception.
SERIES/BLUE HOUR
The Blue Hour (2020 – ongoing) explores the quiet transition between daylight and darkness through restrained compositions of deep blues, greys, violets and near-black tones. Built from subtle variations of matte and gloss, the paintings shift with changing light, revealing colour gradually rather than all at once. The works evoke a sense of distance, stillness and contemplation, inviting the viewer into a slower, more attentive way of seeing.
Rather than depicting the night, The Blue Hour investigates the experience of perception itself. Each square exists in relation to its neighbours, allowing colour, light and surface to create subtle optical movement across the painting. As the viewing conditions change, forms seem to emerge and recede, reflecting the fleeting atmosphere of twilight; when certainty dissolves and the world is held momentarily between presence and absence.